"Acknlwledgement, or the lack thereof"

"Writing is the voice that calls us from dreams, that peeks out of the corner of our eyes when we think no one is looking, the longing that breaks out hearts even when we think we should be happiest, and to which we cannot give a name." Judy Collins (1939) U.S. Folk Singer, Film Maker….



The Rant 'N' Rave Section

I thought I'd have lots of time to write over the last few months. I was sure that, with winters cold breath keeping me inside I could skip all the distractions that come with spring, summer and fall. WRONG! I found just as many distractions inside to keep me out of my writing chamber. Oh well, I did get a few short stories written and off to pubs. I also sent some out to contests. Speaking of which, I found a really good site that tracks upcoming contests. It's The Write Place-contests column by Kimn Swenson Gollnick. Now some of you may already know this site but for those who don't, check it out. The site has lots of goodies for new as well as published writers. Be sure to cruise the whole site, not just the contest listings. The web address is http://www.kimn.net/. I've also listed it at the bottom of the page under sites to see, places to go and groups to join.

Next, one of the hardest things for a new writer to overcome is lack of acknowledgment. It's the stuff that life is made of. It's that which tells us we live, we matter, we are noticed by others as being worthwhile. Without it we fade and shrivel up to nothing. Without it our works become meaningless as do our lives. So, how do new writers overcome that first hurdle on their way to success? A mule-stubborn mindset is the key. It doesn't help when friends and family tell you how good you are. Most of the time you know they are just being kind. It's only when, in and among all the rejection letters you get, you find one that says your work has been accepted. That is the key that unlocks the prison of lack of acknowledgment. That is the weapon that fights and conquers the self-doubt that permeates the minds of first time writers. That is the first big step along the path to becoming a pro. Okay, enough pontificating, on to Tidbits......



"TIDBITS"



Here's a helpful article I picked up in my surfing travels.


Seven Easy Ways to Keep Dialogue Sharp
By Carolyn Howard-Johnson

1. Keep it simple. "He said" and "She said" will usually do. Your reader is trained to accept this repetition.

2. Forget you ever heard of strong verbs. Skip the "He yelped" and the "She sighed."
They slow your dialogue down. If you feel need them, look at the words.the actual
dialogue. your character used when he was yelping. Maybe it doesn’t reflect the way
someone would sound if he yelped. Maybe if you strengthen the dialogue, you can ditch
the overblown tag.

3. When you can, reveal who is saying something by the voice or tone of the dialogue.
That way you may be able to skip tags occasionally, especially when you have only two
people speaking to one another. Your dialogue will ring truer, too.

4. Avoid having characters use other characters’ names. In real life, we don’t use people’s names in our speech much. We tend to reserve using names for when we’re angry or disapproving or we just met in a room full of people and we’re practicing out social skills. Having a character direct her speech to one character or another by using her name is a lazy writer’s way of directing dialogue and it will annoy the reader. When a reader is annoyed, she will not be immersed in the story you are trying to tell.

5. Avoid putting internal dialogue in italics. Trust your reader. She will know who is thinking the words from the point of view of the narrative.

6. Be cautious about using dialogue to tell something that should be shown. It doesn’t help much to transfer telling from the narrator to the dialogue. It just makes the character who is speaking sound long winded. Putting quotation marks around exposition won’t draw the reader into the scene or involve him more than if you’d left it part of the narrative.

7. And magic number seven is, don’t break up dialogue sequences with long or overly
frequent blocks of narrative. One of dialogue’s greatest advantages is that it moves a story along. If a writer inserts too much stage direction, it will lose the forward motion and any tension it is building. For more on writing dialogue check out Tom Chiarella’s Writing Dialogue (Writers’Digest) and for more on editing in general.from editing query letters to turning unattractive adverbs into metaphoric gold.find The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success on Amazon.
----
Carolyn Howard-Johnson is an instructor for the UCLA Extension Writer's Program. The first book
in her HowToDoItFrugally Series of books, The Frugal Book Promoter, won USA Book News'Seven Easy Ways to Keep Dialogue Sharp by Carolyn Howard-Johnson, 478 words 2
Best Professional Book Award and Book Publicists of Southern California's Irwin Award. The second, The Frugal Editor, was just released and includes many editing tips on dialogue, the use of quotation marks and more. Learn more at www.howtodoitfrugally.com .

Last but Not Least:



"I didn't know that!"

"Sax Rohmer"

Arthur Henry Sarsfield Ward (February 15,1883-June 1 ,1959 ), better known as Sax Rohmer, was a prolific English novelist. He is most remembered for his series of novels featuring the master criminal Dr. Fu Manchu.
Born in Birmingham, he had an entirely working class education and early career before beginning to write. His first published work was in 1903, the short story The Mysterious Mummy for Pearson's Weekly. He made his early living writing comedy sketches for music hall performers and short stories and serials for magazines. In 1909 he married Rose Knox. He published his first novel Pause! anonymously in 1910 and the first Fu Manchu story, The Mystery of Dr. Fu Manchu, was serialized over 1912-13. It was an immediate success with its fast paced story of Sir Denis Nayland Smith and Dr. Petrie facing the worldwide conspiracy of the 'Yellow Peril'. The Fu Manchu stories, together with those featuring Gaston Max or Morris Klaw, made Rohmer one of the most successful and well-paid writers in of the 1920s and 1930s. But Rohmer was very poor at handling his wealth. After World War II the Rohmers moved to New York.

Ward was often attacked, even shortly after the Manchu stories were published, for creating a character that reflected "racist assumptions". He himself, while "bemused" at the furore, occasionally defended his character by saying that the portrait was "fundamentally truthful" because "criminality was often rampant among the Chinese", especially in Limehouse.

Rohmer died in 1959, somewhat ironically, due to an outbreak of Asian Flu.

*Thanks to Wikipedia for the above.



Well, that's it for this time, see ya later gater…..Aelf

Sites to see, places to go and groups to join

Long Story Short:http://www.alongstoryshort.net/
My Writing Friend: writingfriend@earthlink.net
Nick Daws Writers Circle: Nick Daw's Writer's Circle.
Wridea: http://www.wridea.com/
J.D.Vine Publishing. : http://www.jdvine.com
Tennessee Writers Alliance: http://www.tn-writers.org/
USA Patriotism, Poetry: http://www.usa-patriotism.com/
The Write Place: http://www.kimn.net
Poynter: 30 Writers Tips



Freebie Writers Tools

Auto Crit Automatic manuscript checker: http://www.autocrit.com/
Word Web download :Word Web

I’ll be adding to the above list as time goes on and I find more newbie friendly sites.Copyright © 03/17/08